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Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012.Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland.He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.Includes the essays: "Andries Botha, (dis)Appearance(s)" by Valerie Leigh "Lest We Forget" by Professor Pitika Ntuli "History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann "An Art of Imagining" by Professor Mike Chapman Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011. Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.

Catalogue of the exhibition of ceramic artwork, Durban Art Gallery, 2012.

This mentorship was created in 2011 to give a woman photographer a grant and mentor's guidance to produce a body of work. The body of work presented in this catalogue focuses on a group of Soweto-based skateboarders known as SSS Skate Society Soweto. Catalogue of the exhibition, "Alexandra Karakashian, unbecoming", SMAC Gallery, Johannesburg, 2017. Alexandra Karakashian was born in 1988 in Johannesburg.

She was awarded the Judy Steinburg Painting Prize and the Simon Gerson Distinction Award in 2012 and the Jules Kramer Music & Fine Arts Scholarship and Maciver Scholarship in 2013.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.

The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.